2017

Sleeping Beauty

The Kings Theatre, Glasgow

Sound No.1

Producers

Qdos Entertainment

Creative Team

Playwright: Alan McHugh

Director & Choreographer: Nick Winston

Musical Director: James Dunsmore

Sound Designer: Tom Marshall

Lighting Designer: Pete Watts

Special Effects; The Twins FX

Awards

The Great British Pantomime Awards: Nominated for Best Pantomime, Best Comic (Johnny Mac), Best Fairy (Elaine C Smith) and Best Lighting

Reviews

"Glasgow to it's core"

- The Stage

Drone (Development)

The Vault, Edinburgh

Sound Designer & Composer

Producers

Crimson Phoenix

Creative Team

Playwright: Stephen Redwood

Director: Elliot Roberts

Set & Costume Designer: Jennifer Logan

Sound Designer & Composer: Calum Paterson

Lighting & Video Designer: Kieran Kenning

Stand By

Edinburgh Festival Fringe and Scottish Tour

Associate Sound Designer

Producers

Utter Theatre, in association with The Byre Theatre and Made In Scotland

Creative Team

Playwright: Adam McNamara

Director: Joe Douglas

Associate Director: Jo Rush

Designer: Natasha Jenkins

Sound Designer: Kevin Murray

Associate Sound Designer: Calum Paterson

Lighting Designer: Kate Bonney

Awards

Scotsman Fringe First 2017

Reviews

"all of its elements are effortlessly blended together into an experience that is powerful and unforgettable. A piece of theatre not to be missed"

- All Edinburgh Theatre

 

 

"Stand By is genuine, funny and tragic... A unique and enthralling performance, you're not watching a play, you're right there with them"

- Edinburgh Festivals Magazine

 

 

"Stand By has an authenticity that seriously packs a punch"

- The List

"The four strong cast excels, capturing the tension and terse humour of McNamara's text with superbly astute naturalism"

- The Stage

 

 

"A powerful, insightful drama with much to say and a bold, blackly comic way of saying it"

- Broadway Baby

"Not for the faint hearted... taking the immersive genre to another level... Quality Polis"

- Edinburgh Guide

Working A Musical

Southwark Playhouse, London

Sound No.1

Producers

Deus Ex Machina Productions, with Jack Maple and Christopher Ketner

Creative Team

 

Director: Luke Sheppard

Choreographer: Fabian Aloise

Musical Supervisor: Alex Parker

Musical Director: Issac McCulloch

Designer: Jean Chan

Costume Designer: Gabriella Slade

Sound Designer: Tom Marshall

Lighting Designer: Nic Farman

Awards

The Offies: Nominated for Best Musical Production, Best Actor (Peter Polycarpou) and Best Actress (Krysten Cummings)

Whats On Stage: Nominated for Best Off West End Production

West End Wilma: Nominated for Best Off West End Show

Reviews

"there’s not a second to breathe until the end. It’s a lot to take in, but every moment is well written and beautifully performed"

- London Theatre

"Working A Musical is a must-see before it hangs up its boots and clocks out"

- Theatre Weekly

"Working is astonishing and a remarkably fine achievement. A five-star original, beautifully constructed, superbly conceived, wonderfully played and finely directed tribute to millions of ordinary people. It's unmissable"

- Stage Review

"Working is powerful, relevant and not on for long enough"

- The Upcoming

"Evocative and inspiring"

- The Stage

Into The New Arts Festival

Pearce Institute, Glasgow

Head of Sound

Production Team

Technical Director: Barry Leach

Head of Sound: Calum Paterson

Head of Lighting: Gary Ashbridge

Resident Stage Manager: Chris Brown

Chess The Musical

Edinburgh Festival Theatre, Edinburgh

Sound Designer

Producers

The Royal Conservatoire of Scotland

Creative Team

Director: Andrew Panton

Choreographer: Darra O'Leary

Musical Director: David Higham

Designer: Kenneth MacLeod

Sound Designer: Calum Paterson

Lighting Designer: Grant Anderson

Reviews

"The first thing that needs to be said about this RCS production is the high quality of every aspect of this production, and the combined result is better than many professional touring productions that I have seen in the past few years"

- Southside Advertiser

 

"The Conservatoire's music theatre cohort, under the superb direction of Professor Andrew Panton, can be proud of such a technically adept production, which really explored the complexities of the strategy game on more than one level."

- The Herald

"Flawless in it's execution"

- Edinburgh Guide

"A great experience and showcase"

- Broadway World

CP

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